Salisbury, Wiltshire - The Cathedral Close
Click on photos below to enlarge
Notes in italics from Wiltshire by Nikolaus Pevsner
Revised by Bridget Cherry (1975)
Yale University Press, New Haven and London
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It may well be said that Salisbury's is the most
beautiful of English closes ... with moreover houses of absorbing architectural
interest. The Salisbury Close has more such houses than any other; that is
certain.
Most of the houses in the Close are in the West
Walk and the North Walk which emanate from the Green in the north-west
corner (full name Choristers' Green). The Green, shown above, is the first
part of the Close when entering through the North Gate from the High
Street.
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North
Gate, looking into the Close, and out. Perp. Four-centred
arch to the N. Traceried spandrels. Quatrefoil frieze. Two small upper
windows. Another panelled and quatrefoiled frieze. Battlements with
shields. To the inside niche for a statue now inhabited by
Edward VII. Here also fragments of Old Sarum, diaper and zigzag.
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Nos.39-46, the Matrons' College, established by
(bishop) Seth Ward in 1682 and quite
possibly designed and approved by Wren, ... Low, of two storeys, with a
hipped roof. Thirteen bays and
projecting two-bay wings. Two-light mullioned windows with frames flat
except for a slight outer moulding. In the wings dormers with circular
windows. Doorway with a segmental pediment on brackets. Above, inscription
cartouche with open scrolly pediment. Steep top pediment with coat of arms
and garlands. Octagonal glazed lantern. ... |
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East side of The Green. No.38
has a late-C18 doorway, but inside a large wall-painting of the mid
C17 ... No.36 is Georgian, of five bays and two storeys, with a hipped roof.
Wide stone doorway with Tuscan pilasters and pediment. |
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South side of The Green. No.
34 faces E with two early Victorian bargeboarded gables. No.35
has C16 to C17 brick and stonework to the N. |
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North side of The Green. In
the middle, Mompesson House is
dated 1701 on a rainwater head. It is ashlar-faced, of seven bays, with a
hipped roof. The windows to the l. and r. of the centre are narrower. Doorway with big
open segmental pediment filled with garlands. It rests on brackets. The
window above has side scrolls and garlands. Fine gatepiers, iron gates and
iron railings. The other sides of the house are brick. ... |
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To the left of Mompesson House
(first two pictures). No.55
is C18, of five bays and with a big three-bay pediment.
Segment-headed doorway.
No.54,
the Hungerford Chantry; but there
is nothing medieval left. Five bays, two storeys, parapet, brick, simple
doorway with pediment.
To the right of Mompesson House (last two
pictures). The r.
wing of Mompesson House, which is of brick, five bays long, and has a
panelled parapet. Later doorway with Doric pilasters, a metope frieze, and
a pediment. Later also the lunette window and broken pediment above the
archway.
The stables of Mompesson House. They appear to be late C17. Five bays, two
storeys, brick, cross-windows below, mullioned windows above. Hipped roof.
Arched doorway with rusticated surround re-set. It was originally in the
large archway to the left of the house. This also has a rusticated
surround. The window above the doorway is elaborately framed,
with an open scrolly top. The large archway now belongs to the r. wing of
Mompesson House. |
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Now the West Walk, starting on
the west side of The Green.
No.56, Hemingsby House, is gabled and quite modest externally, but it has a little wing
projecting on the r. and in this a C14 portal blocked (not
visible). Above a C14 E
window ... The walls of the wings have hundreds of tiles, partly laid
herringbone-wise. They are said to come from Old Sarum. The main
entrance is Perpendicular and inside there is a hall of the 15th century.
...
No.56b,
which was built in 1727 to replace a decayed wing of Hemingsby House. There is in fact re-used medieval masonry at the back.
The front is of brick. Five bays of very large windows, a main floor on a
basement, a little like an orangery. Evenly rusticated quoins, panelled
parapet. Arched doorway with a surround with rustication of alternating
size. |
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No.56c Wren Hall (a recent
name) ... formerly the Cathedral School, completed in 1714. Five bays,
brick, on a basement of stone with small mullioned windows. Quoins. Hipped
roof. Large windows with basket arches. Doorway with an oval window over.
... Funded by a former pupil, Sir Stephen Fox - he built Farley Church,
also in the style of Wren.
No.57,
Braybrooke, was the master's house. It is connected with the school. Five bays, two storeys, brick, on a stone base, doorway with pediment
on carved brackets.
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No.58 is the Wardrobe (now
military museum), a very big house. ... Flint, brick, and stone irregularly used. Recessed
centre and projecting wings, each with two gables. They have Victorian
barge boards. In the centre on the first floor a six-light window with two
transoms. Below an early C19 (?) brick arcade of three Tudor arches, and
behind it a large blocked C17 window, straight-headed. ...
No.59, Arundells, lies far back ... The house is supposed to have been built in 1749; but this
cannot have been a complete rebuilding. Five bays, two storeys, hipped roof.
... Formerly home of Prime Minister Sir Edward Heath.
More on Arundells here. |
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First two pictures. No.60,
the North Canonry, ... pre-Reformation and C17 and very much Sir G.G.
Scott. Flint and stone. Ashlar-faced projecting centre with polygonal
angle buttresses and pinnacles. Top gable. On ground floor and upper floor
a large seven-light window with transom. To the r. archway with a
pedestrian entrance to its l. Four-centred arch. This lies in a lower
wing. Here at once a canted oriel,
Scott's work. This and the following original three-light window have
arched lights without cusps, a Henry VIII form. On the first floor
cross-windows with finely moulded surrounds and the initials R.H. ... The
l. attachment is C18 with a Victorian front (not shown).
Last two pictures. Audley House, No.63-64 ... It is a pair and has a
plain seven-bay Georgian brick front of two and a half storeys, right on
the road. |
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No.65, The King's House (called such since
a visit by King James I in 1610) ... The house is large and lies back.
It is of flint. The centre has on the l. a two-storeyed C15 porch with
diagonal buttresses and E entrance (front). The N entrance to the
porch is C19 (side). The entrance arches are panelled and the porch
has a very handsome fan vault inside. ... Renewed mullioned and transomed
windows replacing medieval (C13?) windows whose outline is visible. ...
Then to the r. a taller brick bay was added in the late C16. Big two-storeyed
canted bay window. The ground floor has one transom, the upper floor two
transoms. ... |
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Whistler |
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Myles
Place. No.68 is the stateliest C18 house in the Close, too townish
almost for its location. The house is said to have been built in 1718.
Ashlar-faced, but brick on the sides and at the back. Seven bays with
three-bay centre. Basement, two storeys with giant pilasters and attic
above the cornice. Parapet on the attic. ... The doorway has a segmental
pediment on Corinthian pilasters. ... Sir Arthur Bryant the historian
lived there after the second World War until his death in 1985.
No.69,
Walton Canonry, ... dates from c.1720. Seven bays, basement and two
storeys. Doorway with segmental pediment enclosing garlands. Wide angle
strips; parapet. ... The house takes its name from the son of the
great fisherman Isaac Walton; he was a canon and lived here. The artist Rex Whistler leased the house in 1938. See his memorial
in the cathedral.
No.71
is the South Canonry (now Bishop's House). Low, two-storeyed, brick, of
five widely spaced bays. Said to be of c.1665 with
major alterations of 1778. Broken middle pediment. Only the first-floor
middle window has a little decoration. The doorway and the roof brackets seem
altered (Early Victorian? The date mentioned is after 1889, which seems
too late). Behind this C18-19 front, however, is an
older house. ...
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Now along the North Walk. No.26
is a rather gaunt four-bay Georgian house of two and a half storeys;
cemented (obviously removed since Pevsner wrote this).
Late C18 doorway. Brickwork on the front is all headers.
No.21
has a fine Elizabethan flint front with two gables and mullioned windows -
much renewed. Mid-C19 porch. Inside there are a number
of older features of C13-16. ... At the NW corner a tower
projects. Its basement is tunnel-vaulted. ... Called Aula Le Stage
after the Reformation, indicating the tower or upper staging.
No.19
... a large, even, late C17 house of nine bays with the first and last two
projecting. Two storeys, hipped roof. Brick and stone quoins and other
trim. Doorway with straight hood on moulded brackets. ... |
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No.15,
Malmesbury House ... a seven-bay ashlar facade of probably Queen-Anne date
(built by 1719). Seven bays, two storeys. Two narrow windows l. and r. of the centre. This facade
is only one room deep, and was added to an existing C15 or C16 house. ..
Strikingly splendid interior.
St
Ann's Gate belongs to Malmesbury House.
Built c.1331 etc. Low two-centred arch with two continuous chamfers. ...
Two-light Dec window over. ... The composer Handel ( Händl
) lived here, see plaque. |
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On the south side of the Close. Harnham Gate. Double-chamfered four-centred
arch with continuous mouldings to the outside. To the inside the arch is
segmental and dies into the imposts. Above seven corbels for a bay or a
platform, but no upper storey. Fleurons and gargoyles. |
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Map
of the Close
and history of many of the houses (cathedral website)
Mompesson
House
(National Trust)
Salisbury Cathedral |
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